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Saskatchewan has long been hailed as fertile
ground for writers. They seem to pop up everywhere, like gophers
emerging from their winter burrows and crocuses blooming in the melting
snow in spring.
And, in fact, you can say with absolute truthfulness
that many new Saskatchewan writers do emerge each Spring--not
spring, the season, but Spring, the annual literary magazine put
out by the Saskatchewan Writers Guild.
The 2001 issue of Spring, the second to be
produced, has just been published, and is being launched with readings and
receptions in Regina on February 28 at 7:30 p.m. in the Rosemont Art
Gallery, Neil Balkwill Centre, and in Saskatoon on March 22 at the AKA
Gallery.
With a glowing yellow glossy cover, decorated by a
brilliantly colored reproduction of Saskatoon artist Anne McElroy's
painting Red Hearts in a Forest, Spring's 2001 issue does
indeed look like spring--a bright, sunny spring full of promise.
The inside is full of promise, too--promising work
by emerging writers, who are defined as people who haven't yet had a book
published. "It's an opportunity to kind of fill a gap for the Guild
membership who are not beginning writers, but are not established
writers," is how Laura Burkhart, the Saskatchewan Writers Guild program
officer, describes the magazine's mission.
Last fall's call for submissions resulted in an
issue that include poetry by Jennifer Still, Laura Burkhart, Darren
Foster, Tracy J. Stebner, gillian harding-russell, David Sealy, Laura
Alfaro, Katherine Lawrence, Veryl Listoe, Bernadette L. Wagner, Andrea
Tait and Sandy Easterbrook; non-fiction by Lloyd Ratzlaff and June
Mitchell, and fiction by Shelley Banks, B.D. Miller, Laura Burkhart and
David Sealy.
Of course, to put out a magazine of any kind you
need editors. Spring uses different editors every year, in the
process giving emerging editors an opportunity to practice their editing
skills, too. This year's editors were Shelley A. Leedahl, editor-in-chief
and non-fiction editor; Jeanne Marie de Moissac, poetry editor; and Sharon
MacFarlane, fiction editor.
Spring is distributed
free to all members of the Saskatchewan Writers Guild, and is also
available for sale in various bookstores and other locations, including
the SWG Web site, for $5.
Laura understands the importance of Spring to
emerging writers, since she placed two poems in the first issue, last
year, and a poem and a short story in this year's issue (in all cases
before she became an employee of the Guild). "It's a nice acknowledgement
of progress," she says.
Saskatchewan is known across Canada as a hotbed of
writers. There are many theories as to why that's so. Laura feels part of
the reason is the geography. "With rural depopulation people are really
isolated," she says, and that may result in a greater introspection among
Saskatchewan residents. The climate plays a role, too, Laura feels. "I
used to live in rural Saskatchewan, and those winters are really long,"
she says. "What is it that helps people deal with difficult situations?
For me its going inside and accessing that creative impulse."
Saskatchewan also has a tradition of nurturing and
encouraging writers, a tradition exemplified by the Saskatchewan Writers
Guild, the largest and most active provincial writers' organization in
Canada.
"I grew up in a real working class family where
anything to do with the arts was considered not authentic or not
important," Laura recalls. "You couldn't sit down and draw, you couldn't
sit down and write, because there's work to be done and you couldn't make
your living at that, so why even get involved in it.
"I don't see that in Saskatchewan. I see people
really acknowledging, supporting and affirming literary activities. There
is support for writers here that may not be available in a lot of other
places."
Spring attracted a lot of attention and
enthusiasm last year, Laura says, and she expects that attention and
enthusiasm to continue this year. "There's lots of stories in
Saskatchewan," she says. "We have such a rich history, and I think people
are acknowledging that."