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If you love free live music (and who doesn't?) then
this is the biggest weekend of the summer.
Friday, Saturday and Sunday, July 7-9, the Flatland
Music Festival invades Victoria Park, bringing 43 of Saskatchewan's best
recording artists to the stage--and you don't have to pay a cent to
listen.
Marian Donnelly, executive director of the
Saskatchewan Recording Industry Association, which started the Flatland
Music Festival five years ago, says organizers expect between 25,000 and
30,000 people to turn out. "It all depends on the weather," she says,
adding that it's no coincidence the festival runs the same weekend as the
Moose Jaw Air Show: over three decades, the Air Show has hardly ever been
rained out. "We're sticking with them," Donnelly says.
What kinds of music will you hear? Everything from
pop to hard rock to ska to gospel to folk to country to world music.
There's a scientist/guitarist who sings songs about the water cycle,
there's a gospel choir from Saskatoon, there's a hit band who sings mainly
in Greek, there's a trio of teenagers who perform "alternative crush
rock."
Amazingly enough, of the more than 40 individuals
and bands that will be performing, only six have ever appeared on the
Flatland Music Festival stages before--proof of just how vibrant the music
scene is in Saskatchewan.
The process of choosing the bands begins in December
when applications are sent out, Donnelly says. The deadline for applying
is the end of March; at that time, a jury goes through the packages the
performers have submitted, and grade the applications on criteria ranging
from when their album was released (if they've released one) to
musicianship to whether they've played the Flatland Festival before. Once
the jury has picked out the best candidates for the festival, organizers
then take a look at the genres of music represented. "We try to give it a
real cross-section," Donnelly says.
If you're surprised there are more than 100
recording artists in Saskatchewan, you shouldn't be, Donnelly says. "I
think the recording industry internationally has just been growing because
of how much technology has changed," she says. "In the old days--the
1970s--you had to be signed to a major record company in order to finance
that $100,000 or $200,000 recording. Back then in Saskatchewan there was
Streetheart and Queen City Kids, and that was it. Now you can easily
afford to make a recording using the latest computer technology. You can
make a record for $10,000 or $20,000."
What sets apart the artists in Saskatchewan,
Donnelly says, is their work ethic. "Most of our artists have a better
work ethic than what I've seen in Toronto or Vancouver, just because we
are not near an industry centre. Most of our bands realize they'll have to
work just a little bit harder to develop their audience and achieve that
level of exposure that they need to sell records. We see bands developing
business plans, putting together tours, with a much more entrepreunurial
spirit than bands in Toronto, which just hang around waiting to be
noticed."
Being noticed is, of course, what performing at the
Flatland Music Festival is all about. The performers in the festival find
themselves in the public spotlight far more than they can hope for
performing on the club circuit.
As the Flatland Music Festival Web site puts it,
"There are few venues in which original music groups and artists can
perform their material for an all-ages audience. It is difficult for the
average consumer to find and purchase independent artists' products in
regular retail outlets. The Flatland Music Festival puts these groups on
stage in a beautiful outdoor environment." Last year more than $6,500
worth of recordings by the various performers were sold, proof that people
are liking what they're hearing.
More than just CDs are for sale, too. Visual
artists, craftmakers, and food vendors will all be on hand. The
Saskatchewan Publishers Group will be there, promoting Saskatchewan books.
Globe Theatre will be on hand to promote next year's season and the
Lanterns on the Lake Festival. On Saturday morning you can visit the
Farmers' Market while you listen to the music, and on Sunday morning you
can view a street full of classic Volkswagens.
Putting together a festival of this size, especially
one with no admission charge, requires a lot of volunteers. "It's not
unusual to see someone selling you a beer ticket one day up on stage the
next," Donnelly says. "Because it's a free festival we encourage the bands
to help out. Most of them contribute. The rest of the volunteers are just
people from the community who enjoy this kind of event."
Obviously you need to actually go to Victoria Park
to enjoy the full flavor of the Flatland Music Festival, but if for some
reason you're stuck at your desk, don't despair; for the second year in a
row, the festival will be broadcast in RealAudio format on the festival
Web site, at www.flatlandmusic.com.
If you can make it down in person, though, you're in
for a treat. "People are amazed they can just come down, enjoy music, have
a hot dog, have a beer," Donnelly says. "It has a really nice feeling to
it."
Who knows? You may just discover your favorite band
of all time--right here in Saskatchewan, on a sunny afternoon in the park.